Motion, video, and AI tools I wish existed.
I'm a motion designer. I make videos, build tools, and create experiences with AI. Most of it comes from wanting creative work to feel easier to understand, easier to use, and more fun to make.
The reel side: animation, editing, launch support, and the video work I've been doing for years.
The tool side: AE extensions, web prototypes, and AI experiments that usually start with, "this should be easier."
This is the work I've done the longest: motion graphics, editing, live production support, and making things feel clear, sharp, and finished.
Animation, explainers, social cutdowns, title sequences, and branded graphics.
Interviews, edits, audio cleanup, color, music, delivery, and the planning around it.
Editing, animation, and on-site live broadcast support with Everyday Astronaut.
Project organization, handoffs, After Effects tools, and the little systems that keep work moving.
Most of these started because I hit the same problem more than once. If a task feels too slow, too confusing, or too hard to explain, I start wondering if AI could help make it simpler.
I use AI to build faster, test ideas, and see what a tool could become. The point is pretty simple: make the work easier to understand, easier to hand off, and less annoying to repeat.
Start with the thing that keeps getting in the way.
Test the prompt, the interface, and the way someone would actually use it.
Make it clear enough to hand to another person.
GenOS is my vision for an enterprise-level agentic workspace built for regular humans. The goal is to make agents easier to direct, understand, and trust by keeping the prompt, plan, tools, tasks, and results visible while the work is happening.
An After Effects extension I built around the stuff I kept wanting in real motion projects: layer tools, Tool Forge, AI help, client kits, and project auditing.
A 3D Starship tracker and visualizer with launch controls, telemetry panels, and a live web scene.
An AI voice-guide concept for the Cherokee Strip Museum. Visitors can ask about the Land Run, pioneer life, Perry, and Noble County history.
I'm a Senior Motion Graphic Designer at Merge, where I work on broadcast motion, video production, edit systems, and handoffs.
I also work with Everyday Astronaut, helping with editing, animation, and on-site launch broadcasts.
The part I keep coming back to is making complicated creative work easier to see and easier to finish. Sometimes that is a motion piece. Sometimes it is an After Effects tool, a web prototype, or an AI idea that turns into something people can actually use.
Start with the part that keeps slowing people down.
Make the next step feel obvious.
Use AI to move faster, then check the actual behavior.
Put it into the work, see what breaks, and make it better.